Artist Detailed Info: Avinar

Avinar is a mournful black metal one-man band. formed in 1999 by Hamid "Avinar" M. A. in Iran (south of Tehran). Avinar means "The Dead Love's Fire", an ancient Persian word in the immemorial history of Persia (Iran). In Iran's 1999, black metal was hidden art and unknown for the most of Iranians. The black metal awoke from the dim darkness of Iran. Creating black metal in Iran was very hard at the commencement because of Iran's residents and age of Avinar which was 16. In 1998, He commenced his early song writing using only a software on a computer and a guitar without any sage. After a few months, he recorded a demo named "Growing Forbidden" that conceivably was the first Iranian black metal song. Very fundamental, romantic, meaningful and philosophic with obscure management. "Aphotic Mentality" was his second demo, with higher variance than the first one, like a pure post vogue black metal and strong meaning. After recording this demo in spring 2000, Avinar recorded a long song to showing the audial essence of the black metal music that he knew; Something like "Abruptum" new work which he never heard it before. This resemblance means of vastitude of the black metal's doctrines. Thit long song created his first bootleg demo album and the song named was "I Remember The Past Of Dead Future" in this album. The song was the starting point of creating atmospheric and delight feelings in his future. Therefore the last demo recorded in 2001, titled "… And My Lost Wisdom", darkwave songs and meaningful cover illustrations. In that year he started to seeking for projecting his arts in the genuine formats (record, mix, play, design, … etc). After recording three demos and a bootleg he wrote and mixed his first promotion album named "Agoraphobia". The first step to composing mournful black metal, with sad feelings of anti-religion and darkness in the reflections of his nocturnal mystery poetries. "Bey.Ma Funeral", the perfect promotion album with misanthropic management. But this demos, promos, and bootlegs never released. And his meaningful black arts engraved in the deep darks of the hidden cemeteries, because of the current situation in Iran. His second bootleg album (full length), recorded and mixed after "Bey. Ma Funeral" and it's titled "Blackshine".This album had not black metal elements in its music. All songs are instrumental, without guitars and including soft sounds of drums. Completely "Blackshine" was the end of his practices for creating pure mournful black metal. Corporeal problems make him put his work on hold. He willing to write many lyrics for future albums...

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